ARTIST | R.L. Burnside
R.L. Burnside |
Last update: 09/14/08 16:13:45
Location: AMERICA NORTH: USA:Washington (WA)
Signed up: 10 Feb 2007 06:07 PM
Members:
Sounds like: Blues
Influenced by:
Web site: http://www.google.com/musica?aid=FEANA0kVcqF&sa=X&oi=music&ct=image
Biography
Ok, this guy sure as heck ain't from Taiwan, but he is the first official artist entry onto surfROC!!! Bluebirdboarding GAZZA's personal favourite...
Burnside had a powerful, expressive voice and played both electric and acoustic guitars (both with a slide and without). His drone-based style was a characteristic of North Mississippi hill country blues rather than Mississippi Delta blues. Like other country blues musicians, he did not always adhere to 12- or 16-bar blues patterns, often adding extra beats according to his preference. He called this "Burnside style" and often commented that his backing musicians needed to be familiar with his style in order to be able to play along with him.
His earliest recordings, like those of John Lee Hooker, sound very similar in their vocal and instrumental style to the music of West Africa, specifically Mali. Many of his songs do not have chord changes, but use the same chord or repeating bass line throughout, giving his music a hypnotic feel. His vocal style is characterized by a tendency to "break" into falsetto briefly (usually at the ends of long notes).
He also knew many toasts (African American narrative folk poems such as "The Signifying Monkey" and "Tojo Told Hitler") and frequently recited them between songs at his live concerts and on his recordings.
Burnside had a powerful, expressive voice and played both electric and acoustic guitars (both with a slide and without). His drone-based style was a characteristic of North Mississippi hill country blues rather than Mississippi Delta blues. Like other country blues musicians, he did not always adhere to 12- or 16-bar blues patterns, often adding extra beats according to his preference. He called this "Burnside style" and often commented that his backing musicians needed to be familiar with his style in order to be able to play along with him.
His earliest recordings, like those of John Lee Hooker, sound very similar in their vocal and instrumental style to the music of West Africa, specifically Mali. Many of his songs do not have chord changes, but use the same chord or repeating bass line throughout, giving his music a hypnotic feel. His vocal style is characterized by a tendency to "break" into falsetto briefly (usually at the ends of long notes).
He also knew many toasts (African American narrative folk poems such as "The Signifying Monkey" and "Tojo Told Hitler") and frequently recited them between songs at his live concerts and on his recordings.
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